For several years beginning in the late 70s work was carried out on a series of low-relief dimensional drawings, usually formal and self-referential. A neutral surface of graphite and beeswax was devised which could be brushed onto particle board hot and then ironed flat, producing a highly metallic surface simultaneously absorbent and reflective. The surface proved restless, thwarting viewer's expectations of stable spatial position, and allowing the flat elements and the tilted elements to equivocate in a specular contest of positionality. This technique provided the illusionistic characteristics of traditional 2-dimensional perspectival picture organization, in visual conflict with physical extensions into actual space.

SCULPTURE
PERFORMANCE DESIGN
MODELS
DRAWINGS
VIDEO
EXHIBITIONS
2D Drawings
3D Drawings
3D Drawings
graphite and beeswax on particle board, dimensions variable; c. 1975-80
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